SELECTED WORK

STILL, ALMOST

STILL, ALMOST

3D / MOTION

A study in perspective, perception and the illusion of stillness.

A study in perspective, perception and the illusion of stillness.

What looks like a flat collage is actually a fully constructed 3D scene.

What looks like a flat collage is actually a fully constructed 3D scene.

02 / STILL LIFE STUDIES

03 / BEHIND THE IMAGE

An orthographic camera, carefully angled objects and layered textile patterns flatten the space until the image reads as a graphic still life, almost a paper cut-out. Then the wine and water begin to sway, and the depth quietly gives itself away.

An orthographic camera, carefully angled objects and layered textile patterns flatten the space until the image reads as a graphic still life, almost a paper cut-out. Then the wine and water begin to sway, and the depth quietly gives itself away.

3D PROCESS / 01

3D PROCESS / 02

04 / SURFACE STUDIES

Look closer and the weave of every fabric is there: toile, gingham, pinstripe, check.

Look closer and the weave of every fabric is there: toile, gingham, pinstripe, check.

05 / A CONVERSATION

A Conversation with Hockney

A Conversation with Hockney

The exploration extends into a moving homage to David Hockney’s etching Postcard of Richard Wagner with a Glass of Water (1973), a work that plays with the relationship between a flat image and an object placed upon it.

The exploration extends into a moving homage to David Hockney’s etching Postcard of Richard Wagner with a Glass of Water (1973), a work that plays with the relationship between a flat image and an object placed upon it.

Rebuilt in 3D, the water begins to sway, and Wagner’s face shifts behind the glass. A familiar image, given a pulse.

Rebuilt in 3D, the water begins to sway, and Wagner’s face shifts behind the glass. A familiar image, given a pulse.

MOVING HOMAGE / 2026

Technique: Orthographic 3D rendering, textile textures, subtle liquid animation

Year: 2025

Liza BeneshSelected work · 01

3D / Motion

2025

Still,Almost

A study in perspective, perception and the illusion of stillness.

Still, Almost: glasses, a decanter and tumblers on layered textiles — plaid, gingham, toile — seen flat from above.
StillAlmost
Tap the image

What looks like a flat collage is actually a fully constructed 3D scene.

Still life studies

02

Four tables,
no depth.

Four studies

Swipe →

i

Study: a glass decanter and radishes on striped and toile textiles.

ii

Study: a cocktail glass on blue plaid.

iii

Study: small glasses and jars on yellow plaid.

iv

Behind the image

03

An orthographic camera, carefully angled objects and layered textile patterns flatten the space until the image reads as a graphic still life, almost a paper cut-out. Then the wine and water begin to sway, and the depth quietly gives itself away.

3D process / 01

3D process / 02

Surface studies

04

Look closer and the weave of every fabric is there.

Four fabrics

Swipe →

Red toile fabric texture.

Toile

i

Blue gingham fabric texture.

Gingham

ii

Dark pinstripe fabric texture.

Pinstripe

iii

Grey check fabric texture.

Check

iv

A conversation

05

A Conversation with Hockney

The exploration extends into a moving homage to David Hockney’s etching Postcard of Richard Wagner with a Glass of Water (1973), a work that plays with the relationship between a flat image and an object placed upon it.

Etching and homage

Swipe →

Hockney’s etching: a glass of water standing on a postcard portrait of Richard Wagner.

Etching, 1973

Moving homage / 2026

Portrait photograph.

Rebuilt in 3D, the water begins to sway, and Wagner’s face shifts behind the glass. A familiar image, given a pulse.

On the wall

Swipe along →

Three Still, Almost posters on a white tiled wall in an underground passage.

Technique

Orthographic 3D rendering, textile textures, subtle liquid animation

Year

2025

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© Liza Benesh