SELECTED WORK

GREEK VASES

ILLUSTRATION

A vase with four sides. Each side is a part of a person.

“And how are we to go on living without the barbarians? The barbarians were, after all, a kind of way out…”

C. P. Cavafy, “Waiting for the Barbarians”. The project’s epigraph.

Two of the four sides: transformation and endurance.

Power, close up.

δύναμις · dýnamis

Power

Power is an inner driving energy. It is born in collision with what seems insurmountable.

ἐπιμονή · epimoné

Endurance

Waiting is the ability to be in time. Not to run away, not to hurry, but to stay in the present.

μεταβολή · metabolé

Transformation

Transformation is the possibility of change. The loss of form becomes the beginning of a new state.

σοφία · sophía

Wisdom

Wisdom is navigation in chaos. It lives in the ability to find a way when every path is hidden.

02 / Four sides

03 / But first, let’s revisit

Source: Heracles and the Nemean lion, Greek vase painting.

Heracles and the lion. Heracles strangles the lion. No weapon can hurt it.

On the vase, power comes in five kinds: natural (the lion), cultured (Heracles), memetic (Pikachu), street (Adidas), and collective and hidden (a crowd of rats).

Dionysus and the pirates. Pirates capture Dionysus. He turns them into dolphins.

Source vase: Dionysus and the pirates.

Transformation, close up.

Source: Odysseus escapes the cave of Polyphemus.

Wisdom, close up.

Wisdom, close up.

Penelope is waiting for Odysseus. She weaves by day, unravels by night. Waiting for her husband.

Endurance, close up.

Odysseus and the Cyclops. Tied beneath a sheep, he walks out of captivity.

04 / One surface

Surface studies for the vase form.

Pixel orders: Doric, Ionic, Corinthian. In the reel, the vase stands on them.

All four scenes on one surface, in colour and in greyscale. The Greek names run through the picture: δύναμις, ἐπιμονή, μεταβολή, σοφία.

The whole surface, flat: colour over greyscale.

Reel, 59 seconds.

The four sides, side by side.

Don’t anger the gods!

Technique: 3D modelling and rendering, illustration, animation

Year: 2025

Illustration

2025

GreekVases

A vase with four sides. Each side is a part of a person.

Two vase renders on black, showing two of the four sides.
Two vase renders on black, showing two of the four sides.

Two of the four sides: transformation and endurance.

“And how are we to go on living without the barbarians? The barbarians were, after all, a kind of way out…”

C. P. Cavafy, “Waiting for the Barbarians”. The project’s epigraph.

Four sides

01

Turn the vase.

The four sides

Swipe →

The power side: Heracles and the lion.

δύναμις · dýnamis

Power

Power is an inner driving energy. It is born in collision with what seems insurmountable.

The endurance side: Penelope at the loom.

ἐπιμονή · epimoné

Endurance

Waiting is the ability to be in time. Not to run away, not to hurry, but to stay in the present.

The transformation side: three pirates diving head first.

μεταβολή · metabolé

Transformation

Transformation is the possibility of change. The loss of form becomes the beginning of a new state.

The wisdom side: Odysseus clinging beneath a ram.

σοφία · sophía

Wisdom

Wisdom is navigation in chaos. It lives in the ability to find a way when every path is hidden.

But first, let’s revisit

02

Four myths, four sides.

Heracles and the lion

δύναμις

Heracles strangles the lion. No weapon can hurt it.

On the vase, power comes in five kinds: natural (the lion), cultured (Heracles), memetic (Pikachu), street (Adidas), and collective and hidden (a crowd of rats).

Black-figure vase painting: Heracles wrestling the Nemean lion.
Black-figure vase painting: Heracles wrestling the Nemean lion.

Source: Heracles and the Nemean lion, Greek vase painting.

Close-up of the power side: Heracles wrestling the lion, rebuilt in flat shapes.
Close-up of the power side: Heracles wrestling the lion, rebuilt in flat shapes.

Power, close up.

Penelope is waiting

ἐπιμονή

Penelope is waiting for Odysseus. She weaves by day, unravels by night.

Red-figure vase painting: Penelope seated by the loom.
Red-figure vase painting: Penelope seated by the loom.

Source: Penelope at the loom.

Close-up of the endurance side: Penelope as a black figure by a checkerboard loom.
Close-up of the endurance side: Penelope as a black figure by a checkerboard loom.

Endurance, close up.

Dionysus and the pirates

μεταβολή

Pirates capture Dionysus. He turns them into dolphins.

Black-figure vase: pirates diving into the sea and turning into dolphins.
Black-figure vase: pirates diving into the sea and turning into dolphins.

Source vase: Dionysus and the pirates.

Close-up of the transformation side: three pirates diving head first.
Close-up of the transformation side: three pirates diving head first.

Transformation, close up.

Odysseus and the Cyclops

σοφία

Tied beneath a sheep, he walks out of captivity.

Black-figure vase painting: Odysseus clinging beneath a ram.
Black-figure vase painting: Odysseus clinging beneath a ram.

Source: Odysseus escapes the cave of Polyphemus.

Close-up of the wisdom side: a black ram of round shapes.
Close-up of the wisdom side: a black ram of round shapes.

Wisdom, close up.

One surface

03

All four scenes on one surface, in colour and in greyscale. The Greek names run through the picture: δύναμις, ἐπιμονή, μεταβολή, σοφία.

The whole surface, flat: the four scenes in colour above, in greyscale below.
The whole surface, flat: the four scenes in colour above, in greyscale below.

The whole surface, flat: colour over greyscale.

Three white vase renders on black: surface studies for the vase form.
Three white vase renders on black: surface studies for the vase form.

Surface studies for the vase form.

Three pixel-drawn column capitals: Doric, Ionic and Corinthian.
Three pixel-drawn column capitals: Doric, Ionic and Corinthian.

Pixel orders: Doric, Ionic, Corinthian. In the reel, the vase stands on them.

The reel

04

Reel, 59 seconds.

The four sides, side by side

Swipe along →

The four sides of the vase side by side on black.

Don’t angerthe gods!

Technique

3D modelling and rendering, illustration, animation

Year

2025

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