An homage colliding two masterpieces: Peter Paul Rubens' The Hippopotamus and Crocodile Hunt (1615–1616) and Jean Fouquet's The Virgin Mary (1450). I like linking Old Masters with contemporary visual languages — unexpectedly mixing techniques, dragging classical works into the present. The goal isn't just tribute, it's reanimation: these timeless pieces deserve to be seen through new eyes, remixed, popularized by any means necessary. Baroque drama meets geometric abstraction. The past refuses to stay still.